Hello! I thought I’d use this as a the first of a few posts dedicated to sharing with you some of the other things that I do, besides my performances, to creatively inspire me and keep me on the never-ending plan of learning. I’m fairly certain I will always feel that I am a student in one way or another; there is always something more to learn; always a new area in which to grow.
One of the many and arguably most important things I do is, no surprise here, take voice lessons. I see two wonderful teachers, Peter Eldridge and Jay Clayton. When I decided to give Jazz a try, Peter was the first jazz-focused voice teacher I studied with, and needless to say I lucked out! Not only is he a tremendous musician (He has a wonderful discography of his original music, www.petereldrige.com, as well as being a member of the Grammy-award winning group The New York Voices), he is also a magnificent person, and I couldn’t be luckier to call him a friend! Peter and I work on mainly lyric interpretation and vocal delivery, and he’s really helped me break away from approaching jazz like I did classical pieces.
Jay Clayton (www.jayclayton.com) is also a very well established jazz artist, dedicated to exploring and pushing the limits of what the voice can express. She uses more avant-garde methods of improvisation and song development, delving into free-form scatting and choreographed vocal pieces, and also works with spoken word. Through my work with her I’ve become much more comfortable with soloing (scatting, blowing, whatever you want to call it!) during a song, and using it successfully as a means of expression to communicate any deeper feelings than where the lyrical content of a song lives.
One very important way I have decided to push myself is to study piano. I began taking piano lessons awhile ago, with the intention of one day accompanying myself on stage, and also writing my own original material. I’ve been a lyric writer for quite some time now, since I was a child, actually, but have been missing the mastery of an instrument to allow me to write the musical accompaniment along with my lyrics. My journey with piano has certainly been one of the more frustrating ones, I must say! It’s extremely challenging for me, not only to make my fingers actually do what I want them to do, but also to find the time in the day to really dedicate to practicing. Cause let’s face it, if you don’t practice, you’re just not going to get any better, and that’s just the way it is!! I have recently renewed taking weekly lessons with a great jazz saxophonist and pianist named Bryan Beninghove (www.bryanbeninghove.com), and I’m glad for the weekly push to spend some quality time with my piano!
If you see me out and about or at a gig, ask me how my piano is going, keep me honest!
